In the Clarke's new exhibit, Photography: Process, People, and Preservation, photographs are displayed and explained for their own sake, not the content or subject of the images. To guide visitors through the history of pre-digital photography, the exhibit explains the processes involved in producing photographs, from the toxic and labor intensive early days to the time when a roll of color film could be dropped off at a lab and picked up a few days later. The chemistry, the equipment required, and the challenges of producing a variety of photographs are explored.In addition to the processes, the exhibit examines how photography played a role in the careers of various people, including an itinerant daguerreotypist, a commercial portrait photographer, and a team of university photographers. The exhibit also points out how photographs can be damaged and how they naturally deteriorate over time. Realizing the degradation of these images is essentially losing a piece of history can be discouraging, so the exhibit details the measures that museums, archives, libraries, and even individuals can take to preserve their images for generations to come.
An exhibit on photography would not be complete without the tools used to produce photographs. Fortunately, the CMU Department of Art and Design is a wonderful resource for consulting on this subject, particularly Professor Al Wildey. He has loaned several of his historic cameras, some pieces of old photographing equipment, and many rare images that illustrate the processes explained in the exhibit.Beyond consulting and loaning materials, Professor Wildey is also opening our exhibit with a presentation on Thursday, September 18 at 7:00 pm. He will discuss the history of photography before the digital age. The event takes place in the Park Library Auditorium followed by a reception in the Clarke to give attendees the chance to look at examples of the historical processes mentioned in the presentation.
